EQ Targets
- Filter only what the arrangement does not need.
- Cut boxiness, harshness, or mud when you actually hear it.
- Boost for a musical reason, not to make the track louder.
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IN LOGIC PRO
Set a workable level before plugins, avoid clipping, and do not use gain staging just to make the track loud.
Remove rumble, harsh resonances, boxiness, or mud only if needed; use narrow cuts for real problems.
Compress only when the source needs leveling, punch, control, or tone; leave it alone when it already sits correctly.
Add weight, presence, or air after the source is controlled and the part works in context.
Optional color for density, harmonic interest, or perceived loudness when the arrangement benefits from it.
Prefer sends for shared reverbs and delays; use insert reverbs only when the effect is part of the sound.
Use clip gain, light clipping, or limiting only when peaks are causing problems; do not limit every track by default.
| Range | Move | Why |
|---|---|---|
| 80-120 Hz | Low cut | Remove rumble and unwanted mud |
| 150-300 Hz | Body | Add fullness and tone |
| 400-800 Hz | Boxiness cut | Clear muddy resonance |
| 2-5 kHz | Attack | Bring out stick and beater definition |
| 8-12 kHz | Air | Add openness and top detail |