EQ Targets
- Filter only what the arrangement does not need.
- Cut boxiness, harshness, or mud when you actually hear it.
- Boost for a musical reason, not to make the track louder.
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IN LOGIC PRO
Set a workable level before plugins, avoid clipping, and do not use gain staging just to make the track loud.
Remove rumble, harsh resonances, boxiness, or mud only if needed; use narrow cuts for real problems.
Compress only when the source needs leveling, punch, control, or tone; leave it alone when it already sits correctly.
Add weight, presence, or air after the source is controlled and the part works in context.
Optional color for density, harmonic interest, or perceived loudness when the arrangement benefits from it.
Prefer sends for shared reverbs and delays; use insert reverbs only when the effect is part of the sound.
Use clip gain, light clipping, or limiting only when peaks are causing problems; do not limit every track by default.
| Range | Move | Why |
|---|---|---|
| 40-60 Hz | Sub extension | Use carefully for deep reach if the arrangement has room |
| 60-100 Hz | Fundamental weight | Shape the main low-end support |
| 100-250 Hz | Body / warmth | Add fullness or cut if the bass clouds the kick |
| 250-500 Hz | Mud / boxiness | Reduce if the bass feels cloudy or cardboard-like |
| 700 Hz-1.5 kHz | Note definition / growl | Help bass speak on small speakers |
| 2-5 kHz | Attack / string noise | Add articulation carefully when needed |